Credit:
boston.com
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1|14|00
What
Christina
Aguilera
wants
Teen
star
hopes
to
set
herself
apart
By
Joan
Anderman,
Globe
Correspondent,
1/14/2000
Christina
Aguilera
is
holed
up
in
a
hotel
room
in
Los
Angeles
-
just
a
girl,
a
telephone,
and
a
gaggle
of
handlers
carving
up
the
day
into
10-minute
chunks
of
conversation
with
strangers.
''Oh,
I
don't
mind,''
says
the
audibly
wilted
but
unfailingly
polite
19-year-old
about
the
rigors
of
the
press
circuit.
Aguilera's
sudden,
massive
stardom
is,
after
all,
something
she's
been
aiming
for
since
she
made
her
national
television
debut
on
''Star
Search''
at
age
9.
Only
six
months
ago,
Aguilera
was
a
lesser-known
teen
singer,
one
more
''Mickey
Mouse
Club''
alumna
who
had
won
attention
for
her
lovely
rendering
of
''Reflection''
on
the
''Mulan''
soundtrack.
Then
last
summer
''Genie
in
a
Bottle,''
the
first
single
from
her
debut,
which
has
since
sold
5
million
copies,
came
out.
It
catapulted
Aguilera
to
the
top
of
the
Billboard
charts,
where
the
single
lodged
for
five
weeks.
Her
new
single,
''What
a
Girl
Wants,''
just
knocked
Santana's
''Smooth''
out
of
the
top
spot.
And
the
crowning
achievement
of
a
whirlwind
half-year
came
last
week
when
Aguilera
was
nominated
for
two
Grammys:
best
new
artist
and
best
female
pop
vocal.
She
performs
at
the
FleetCenter
on
Thursday,
with
fellow
Grammy
nominees
TLC.
''I
am
so
thrilled,''
she
says
of
the
nominations,
and
despite
her
weariness
-
Aguilera
is
speaking
in
a
voice
as
small
as
her
singing
is
large
-
it's
clear
she's
not
just
paying
lip
service.
''I
had
no
idea.
People
around
me
were
saying
it
would
happen,
but
I'd
only
had
one
single
out.
I
was
not
expecting
this
at
all.''
She
has,
however,
been
greasing
the
wheels
for
most
of
her
life.
Born
on
Staten
Island
and
raised
near
Pittsburgh
by
her
mother
and
grandmother
after
her
parents
split
up,
Aguilera
listened
incessantly
to
her
favorite
singers,
''the
great
vocalists''
as
she
calls
them:
Etta
James,
Billie
Holiday,
Barbra
Streisand,
and
contemporary
powerhouses
Whitney
Houston
and
Mariah
Carey.
As
a
precocious
grade-schooler
she
was
in
demand
as
a
National
Anthem
performer
at
professional
sporting
events
in
and
around
Pittsburgh.
At
12,
Aguilera
went
to
Orlando
to
join
the
cast
of
''The
Mickey
Mouse
Club.''
High-powered
manager
Steve
Kurtz
discovered
her
as
a
Mouseketeer
(alongside
Britney
Spears,
Keri
Russell,
and
members
of
'N
Sync)
and
offered
to
shepherd
her
career.
In
1998,
in
a
remarkable
display
of
faith
in
an
untested
artist,
RCA
signed
her
to
a
seven-album
contract.
Aguilera
was
17.
She
didn't
want
to
release
''Genie
in
a
Bottle''
as
a
single.
''Hearing
that
song
in
the
first
stages,
it
didn't
let
me
go
places
vocally.
It
sounded
very
Top
40
to
me,
very
pop-driven,
all
about
a
cool
hook
and
melody.
It
fit
too
much
into
what
was
going
on
in
pop,
and
I
wanted
to
be
different.
I
never
wanted
to
be
a
straight
pop
singer.''
Indeed,
the
rest
of
the
album
is
filled
with
songs
that
display
her
striking
range
and
power
as
a
singer
of
R&B,
pop-soul,
and
ballads.
Yet
she
is
being
positioned
as
a
teen
pinup
(undoubtedly
part
of
RCA's
plan
to
maximize
the
return
on
its
hefty
investment),
and
she
knows
it.
''This
one
is
the
most
pop-sounding
album
I
will
ever
do,''
declares
Aguilera,
who
says
that
blues
is
her
number
one
favorite
style.
''I
definitely
want
to
take
it
to
the
next
level.''
She
plans
to
record
''At
Last,''
an
Etta
James
tune,
for
a
hidden
track
on
her
sophomore
CD
and
is
eager
to
start
writing
herself.
''We
got
songs
from
some
great
writers
for
this
album,''
Aguilera
says,
including
hitmeister
Diane
Warren,
who
is
already
on
board
for
the
next
album.
''But
I
want
to
write
more
about
experiences
I've
gone
through.
I've
gone
through
bad
situations.
I
come
from
a
divorced
home.
I've
been
around
abuse.
I've
lived
a
different
life,
been
on
the
outside.''
Friends,
Aguilera
says,
resented
her
success
and
were
in
short
supply
as
her
career
blossomed.
''But
I
turned
negative
situations
into
positives
by
putting
all
my
focus
and
energy
into
music.
I
was
always
a
deep
thinker,
an
introverted
person,
to
the
point
where
music
was
an
escape.''
In
the
spring,
Aguilera
will
release
a
Spanish-language
CD.
Her
father,
with
whom
she
has
no
contact,
is
Ecuadoran,
and
Aguilera
wants
to
rediscover
her
Latin
roots.
Also,
''it
makes
my
grandparents
happy,''
she
says.
Although
it's
not
her
intention,
that
album
should
help
distinguish
Aguilera
from
the
bevy
of
teen
sensations
who
appeared
on
the
scene
last
year:
Britney
Spears,
Jessica
Simpson,
and
Mandy
Moore
-
all
blond
teenagers
with
dance-pop
records.
It's
a
phenomenon
that
Aguilera
accepts,
but
it's
still
disconcerting
to
her.
''It's
so
weird
that
we
all
came
out
at
the
same
time,
and
yeah,
it's
a
little
frustrating
to
constantly
get
compared.
We're
all
so
very
different,''
she
says,
careful
to
point
out
in
well-rehearsed
tones
that
''it
doesn't
take
away
from
what
I
think
of
them.
They're
all
so
talented.''
More
accurately,
Aguilera
is
so
very
different
-
far
and
away
the
most
gifted
vocalist
of
the
bunch.
''People,''
she
says,
''will
see
[the
differences]
as
time
goes
on.''
Meanwhile,
she
is
busy
learning
to
navigate
a
world
where
''everyone
wants
a
piece
of
you.
Good
and
bad.
They
either
want
to
put
you
down
or
talk
to
you.
All
these
people
are
pulling,
just
pulling
on
you.''
She's
constantly
on
the
road.
And
as
for
dating?
''No
time,''
Aguilera
says.
''It's
sort
of
sad.
I
see
these
gorgeous
guys
in
the
audience
and
would
love
to
get
to
know
them.
But
I'm
off
to
the
next
airplane.''
Still,
like
any
red-blooded
teenager,
she
is
prone
to
crushes.
Her
latest?
Limp
Bizkit
singer
Fred
Durst.
But
with
a
schedule
as
hectic
as
hers,
Aguilera
says,
''I'm
lucky
if
I
get
to
see
a
movie.
Alone.''
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